Front pages are the first draft of history: urgent, frameable, and sometimes framed again. The Newspaper series selects three landmark moments from Bitcoin’s legislative history in El Salvador and returns them to the scale and materiality of painting: inkjet print, silkscreen, glitter, and hand-applied paint on canvas, each measuring 100 × 130 cm. The newspaper’s own visual grammar, condensed typeface, justified columns, and the urgency of the single-line headline are expanded to painting scale and inserted into the conceptual space of fine art.